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Nicole Holofcener’s story of a shop colleague she couldn’t get along with to become an important person in her later life as a writer-director is instructive and mortifying. Some of the anecdotes from filmmakers who worked in video stores before getting their own credits are pretty funny. glow in the eyes of home theater people.) -the dirty stories behind “Reservoir Dogs” and “Sex, Lies and Video” were the ones I didn’t know, even though I knew back then how semi-studios today They disappeared like Orion Pictures were trying to exploit the “synergy” between the domestic and theatrical markets.
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In fact led a debate on the “letterbox,” as the pre-big-screen TV practice of preserving a widescreen aspect ratio for home viewing was called, even before high definition was a thing of the past. I started my career in journalism in a magazine called Video review, the video store was therefore part of my “beat” in the mid-80s Like many of the filmmakers interviewed in the book, I saw with my own eyes how education through home video can influence both a creative and a critical aesthetic. These characters, which include Richard Gladstein, whose LIVE Entertainment was a driving force behind “Reservoir Dogs,” and Larry Estes, who helped make “sex, lies and video” with the personal video money, provide what I have found most interesting anecdotes about how the home video industry has provided a quantifiable boost to independent film production. Several former executives and distributors of video companies are also interviewed. It’s not just the directors notwithstanding the subtitle of the book “An oral history of the filmmakers of a vanished era”. Its cast of characters, so to speak, is large, reasonably diverse, and quite heavy, from Allison Anders to Quentin Tarantino, with a lot of names you want to hear in between. This is the second talent that serves him particularly well here. is actually tattooed with Angelina Jolie while working on a first profile of the future diva) and her ability to cultivate and maintain significant contacts / sources in the industry. I have always admired two things about Tom: his commitment to getting the story going, no matter what. The author Roston is a former colleague and an old friend we have worked closely at First magazine from the late 1990s until the magazine ceased publication in 2007.